"Andrea Chénier / Act 4: "Come un bel dì di maggio"" by Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly was released on January 1, 1980. The duration of Andrea Chénier / Act 4: "Come un bel dì di maggio" is about 3 minutes long, at 3:09. Based on our data, "Andrea Chénier / Act 4: "Come un bel dì di maggio"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verismo Recital by Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis. The song's track number on the album is #10 out of 15 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Andrea Chénier / Act 4: "Come un bel dì di maggio" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Andrea Chénier / Act 4: "Come un bel dì di maggio" by Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Andrea Chénier / Act 4: "Come un bel dì di maggio" being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Carmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 107 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
Cavalleria rusticana: Act I: Regina coeli, laetare - Alleluja! | Pietro Mascagni, Renata Scotto, Jean Kraft, James Levine | G Major | 2 | 9B | 84 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Minuetto | Umberto Giordano, Daniela Giordano | B♭ Major | 2 | 6B | 130 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence | Gioachino Rossini, Pretty Yende, Marco Armiliato | E♭ Major | 2 | 5B | 88 BPM | ||
Los Pescadores de Perlas "Mi Par D'udir Ancora" | Alfredo Kraus | D Major | 2 | 10B | 168 BPM | ||
Nel deserto | Umberto Giordano, Daniela Giordano | F Major | 0 | 7B | 127 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM |
Section: 1.10683012008667
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