English Sinfonia made "Symphony No.28 in C, K.200" available on December 31, 1899. Symphony No.28 in C, K.200 is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There is only one song in 30th Anniversary 1962 - 1992, so we believe that "Symphony No.28 in C, K.200" is a single. Based on our statistics, Symphony No.28 in C, K.200's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Symphony No.28 in C, K.200 by English Sinfonia is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Protecting Veil: The Protecting Veil, Pt. 1 | Michael Nyman, John Tavener, English Sinfonia, Bramwell Tovey, Josephine Knight | F Major | 1 | 7B | 86 BPM | ||
Strong On Oaks, Strong On The Causes Of Oaks, Pt. 2 | Michael Nyman, John Tavener, English Sinfonia, Bramwell Tovey | B Major | 0 | 1B | 77 BPM | ||
Strong On Oaks, Strong On The Causes Of Oaks, Pt. 5 | Michael Nyman, John Tavener, English Sinfonia, Bramwell Tovey | C Major | 1 | 8B | 104 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Violin Concerto No. 2 in C minor, Op. 43: 2. (Intermezzo) Allegro commodo e scherzando | Ernst von Dohnányi, Janice Graham, English Sinfonia, John Farrer | C Major | 1 | 8B | 104 BPM | ||
String Quartet: I. Modéré | Germaine Tailleferre, Fanny Mendelssohn Quartet | G Major | 4 | 9B | 136 BPM |
Section: 0.781019926071167
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