"Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne An Die Jungfrau"" by Ingrid Kertesi, Camerata De Budapest, Franz Schubert, Walter Scott was released on March 13, 1997. With this song being about 5 minutes long, at 4:52, "Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne An Die Jungfrau"" by Ingrid Kertesi, Camerata De Budapest, Franz Schubert, Walter Scott is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 16 in Ave Maria (Sacred Arias And Choruses) by Kosice Teachers' Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne An Die Jungfrau" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne An Die Jungfrau" by Ingrid Kertesi, Camerata De Budapest, Franz Schubert, Walter Scott is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Folksongs: No. 7. Tanuld, asszony (Husbands must be always loved) | Ernst von Dohnányi, Ingrid Kertesi, Márta Gulyás | D Major | 0 | 10B | 135 BPM | ||
Hungarian Folksongs: No. 6. Az en okrom a Virag (Ah, an ox my mignonette) | Ernst von Dohnányi, Ingrid Kertesi, Márta Gulyás | G Major | 2 | 9B | 116 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Don Giovanni: Batti, batti o bel Masetto | Ingrid Kertesi, Radio Symphony Orchestra Budapest | C Major | 2 | 8B | 95 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | E♭ Major | 0 | 5B | 76 BPM | ||
Pange lingua, WAB 33 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | A Minor | 0 | 8A | 79 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM | ||
Serse (Xerxes), Hwv 40 (arr. for oboe and orchestra): Act I: Ombra mai fu, "largo" | George Frideric Handel, Jozef Cejka, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 88 BPM | ||
Stabat mater dolorosa (a due) | Giovanni Battista Pergolesi, Julia Faulkner, Anna Gonda, Camerata De Budapest, Michael Halasz | G Major | 1 | 9B | 87 BPM |
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