- BPM
- 80
- Key
- D♭ Major
- Camelot
- 3B
Duplo Concerto for Violin, Cello, Strings and Harp, Op. 42: III. Adagio - Joly Braga Santos, Sue Blair, Bradley Creswick, Alexander Somov, Royal Northern Sinfonia, Alvaro Cassuto Information
- Acousticness
- 72%
- Danceability
- 10%
- Energy
- 11%
- Instrumentalness
- 69%
- Liveness
- 15%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 0%
- Loudness
- -19.636 dB
Summary
"Duplo Concerto for Violin, Cello, Strings and Harp, Op. 42: III. Adagio" by Joly Braga Santos, Sue Blair, Bradley Creswick, Alexander Somov, Royal Northern Sinfonia, Alvaro Cassuto was released on January 1, 2002. Since Duplo Concerto for Violin, Cello, Strings and Harp, Op. 42: III. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 10 in Braga Santos: Sinfonietta for Strings / Violin Concerto by Joly Braga Santos, Sue Blair, Alexander Somov, Royal Northern Sinfonia, Alvaro Cassuto. Duplo Concerto for Violin, Cello, Strings and Harp, Op. 42: III. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Duplo Concerto for Violin, Cello, Strings and Harp, Op. 42: III. Adagio BPM
The tempo marking of Duplo Concerto for Violin, Cello, Strings and Harp, Op. 42: III. Adagio by Joly Braga Santos, Sue Blair, Bradley Creswick, Alexander Somov, Royal Northern Sinfonia, Alvaro Cassuto is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Duplo Concerto for Violin, Cello, Strings and Harp, Op. 42: III. Adagio Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Variation 2: I. The Beginning of the End | Matthew Slater, London Metropolitan Orchestra | A♭ Major | 1 | 4B | 131 BPM | |
 | Jesus of Nazareth - Epic Orchestral Version | Stavros Kleisiaris | E Minor | 1 | 9A | 140 BPM | |
 | Staccato Brilhante | Joly Braga Santos, Algarve Orchestra, Alvaro Cassuto | E♭ Major | 1 | 5B | 73 BPM | |
 | Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | |
 | String Quartet No. 1 in D Minor, Op. 4: I. Allegro moderato | Joly Braga Santos, Quarteto Lopes-Graca | G Major | 2 | 9B | 104 BPM | |
 | HFTMRX | KNOXVILLETRACKZ | D♭ Minor | 0 | 12A | 174 BPM | |
 | Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | |
 | Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): III. Im Volkston | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | |
 | Octet, Op. 7 (Arr. for String Orchestra by Wilson, Lovell-Jones & Nelson): III. Lentement | George Enescu, Sinfonia Of London, John Wilson | E Major | 1 | 12B | 85 BPM | |
 | Danzas fantásticas, Op. 22: I. Exaltación | Joaquín Turina, Juanjo Mena, BBC Philharmonic | E Minor | 0 | 9A | 129 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7522425651550293
End: 0.7884173393249512