"Trois mélodies, Op. 7: No. 1, Après un rêve, Op.7 No. 1 (Arr. for String Quartet by Paul Cassidy)" by Gabriel Fauré, Brodsky Quartet was released on February 24, 2023. The duration of Trois mélodies, Op. 7: No. 1, Après un rêve, Op.7 No. 1 (Arr. for String Quartet by Paul Cassidy) is about 3 minutes long, at 3:25. Based on our data, "Trois mélodies, Op. 7: No. 1, Après un rêve, Op.7 No. 1 (Arr. for String Quartet by Paul Cassidy)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Fauré: Après un rêve and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Trois mélodies, Op. 7: No. 1, Après un rêve, Op.7 No. 1 (Arr. for String Quartet by Paul Cassidy) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Trois mélodies, Op. 7: No. 1, Après un rêve, Op.7 No. 1 (Arr. for String Quartet by Paul Cassidy) by Gabriel Fauré, Brodsky Quartet is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 73 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM |
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