"6 Preludes and Fugues, Op. 35: Prelude No. 6" by Felix Mendelssohn, Benjamin Frith was released on February 8, 1995. The duration of 6 Preludes and Fugues, Op. 35: Prelude No. 6 is about 3 minutes long, at 3:13. Based on our data, "6 Preludes and Fugues, Op. 35: Prelude No. 6" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn's "Mendelssohn: 6 Preludes and Fugues, Op. 35 / 3 Caprices, Op. 37" album is number 11 out of 16. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, 6 Preludes and Fugues, Op. 35: Prelude No. 6 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 6 Preludes and Fugues, Op. 35: Prelude No. 6 by Felix Mendelssohn, Benjamin Frith to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 16: No. 1, Andantino | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Lieder ohne Worte, Op.30: No. 4. Agitato e con fuoco In B Minor, MWV U 98 | Felix Mendelssohn, Daniel Barenboim | G Major | 2 | 9B | 115 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
12 Gesänge, Op. 8: VIII. Hexenlied (Anderes Maienlied), MWV K 33 | Felix Mendelssohn, Daniel Hope, Sebastian Knauer | D♭ Major | 0 | 3B | 80 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Piano Trio No. 1 in F Major, Op. 18: I. Allegro vivace | Camille Saint-Saëns, Joachim Trio | F Major | 1 | 7B | 99 BPM | ||
Brahms: 6 Klavierstücke, Op. 118: No. 1, Intermezzo in A Minor | Johannes Brahms, Nicholas Angelich | A Minor | 2 | 8A | 104 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): II. Preghiera (Larghetto) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | A Major | 0 | 11B | 65 BPM |
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