Franz Joseph Haydn, Felix Klieser, Württembergisches Kammerorchester Heilbronn, Ruben Gazarian's 'Horn Concerto No. 1 in D Major, Hob. VIId:3: I. Allegro' came out on April 17, 2015. Horn Concerto No. 1 in D Major, Hob. VIId:3: I. Allegro is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The track order of this song in Felix Klieser, Württembergisches Kammerorchester Heilbronn, Ruben Gazarian's "Horn Concertos" album is number 1 out of 11. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Horn Concerto No. 1 in D Major, Hob. VIId:3: I. Allegro's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Horn Concerto No. 1 in D Major, Hob. VIId:3: I. Allegro by Franz Joseph Haydn, Felix Klieser, Württembergisches Kammerorchester Heilbronn, Ruben Gazarian to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. — | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | A Major | 2 | 11B | 100 BPM | ||
The Creation, Hob. XXI:2: Pt. II, No.15: Auf starkem Fittiche schwinget sich der Adler stolz (Gabriel) [On mighty pens uplifted soars the eagle aloft] | Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering | C Major | 0 | 8B | 133 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | ||
Prelude from Te Deum | Marc-Antoine Charpentier, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 4 | 3B | 84 BPM |
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