"Suite española, Op. 47: Asturias (Leyenda)" by Isaac Albéniz, Pepe Romero was released on January 1, 1983. Suite española, Op. 47: Asturias (Leyenda) is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Tárrega: Recuerdos de la Alhambra / Albéniz: Asturias / Jeux Interdits". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Suite española, Op. 47: Asturias (Leyenda)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite española, Op. 47: Asturias (Leyenda) by Isaac Albéniz, Pepe Romero having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kol Nidrei, Op. 47 | Max Bruch, János Starker, London Symphony Orchestra, Antal Doráti | D Major | 1 | 10B | 85 BPM | ||
Gnossiennes: No. 1 - Lent | Erik Satie, Reinbert de Leeuw | F Minor | 0 | 4A | 139 BPM | ||
Auf dem Wasser zu singen, Op. 72, D. 774 - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | A♭ Major | 0 | 4B | 128 BPM | ||
Pur ti Miro from 'L'incoronazione di Poppea | Claudio Monteverdi, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | A Major | 0 | 11B | 95 BPM | ||
Recuerdos De La Alhambra - Francisco Tarrega | Robert Westaway | A Major | 2 | 11B | 124 BPM | ||
Porgy and Bess: Summertime | George Gershwin, Anne-Sophie Mutter, André Previn | E Minor | 1 | 9A | 86 BPM | ||
Histoire du Tango: 2. Café 1930 | Astor Piazzolla, Göran Söllscher, Patrick Gallois | E Minor | 0 | 9A | 87 BPM | ||
Suite española, Op.47: Asturias (Leyenda) | Isaac Albéniz, The State of Mexico Symphony Orchestra, Enrique Bátiz | B♭ Minor | 1 | 3A | 136 BPM | ||
Mandolin Concerto in C Major, RV 425: II. Largo | Antonio Vivaldi, Pepe Romero, Academy of St. Martin in the Fields, Iona Brown | G Major | 2 | 9B | 114 BPM | ||
Etude No. 1 in E minor | Heitor Villa-Lobos, Pepe Romero | G Major | 2 | 9B | 87 BPM |
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