- BPM
- 87
- Key
- G Major
- Camelot
- 9B
Cello Concerto: 4. Lento - Elliott Carter, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim Information
- Acousticness
- 97%
- Danceability
- 17%
- Energy
- 7%
- Instrumentalness
- 82%
- Liveness
- 25%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -24.329 dB
Summary
"Cello Concerto: 4. Lento" by Elliott Carter, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim was released on January 1, 2012. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 12 in Elgar & Carter Cello Concertos by Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cello Concerto: 4. Lento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cello Concerto: 4. Lento BPM
The tempo marking of Cello Concerto: 4. Lento by Elliott Carter, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Cello Concerto: 4. Lento Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 8 Pieces for 4 Timpani: No. 8, March | Elliott Carter, Daniel Druckman | C Major | 1 | 8B | 111 BPM | |
 | String Quartet No. 8 in C Minor, Op. 110: V. Largo | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM | |
 | Violin Concerto No. 2, Sz. 112: II. Andante tranquillo | Béla Bartók, Patricia Kopatchinskaja, Peter Eötvös, Frankfurt Radio Symphony Orchestra | G Major | 0 | 9B | 114 BPM | |
 | Three Bagatelles: No. 2, Divertimenti in Carnival Serenade | Soeui Lee, Pacific Quintet | F Minor | 4 | 4A | 115 BPM | |
 | Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | |
 | Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | |
 | Spring Symphony, Op. 44, Part I: The Merry Cuckoo (Tenor) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Allan Clayton | D Major | 2 | 10B | 148 BPM | |
 | Dunkelwelt Untersberg, 7. Sinfonie: I. Mittagsscharte: „Der Flug der Vögel tönt von alten Sagen“ | Enjott Schneider, Tonkünstler-Orchester, Alondra de la Parra | C Major | 1 | 8B | 78 BPM | |
 | L'Oiseau de feu (1911 Version): XVIII. Réveil de Kastchei - Mort de Kastchei - Profondes tenèbres | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Minor | 1 | 3A | 113 BPM | |
 | Fragment No. 2 | Elliott Carter, Johannes Martens Ensemble, Johannes Martens, Anders Kjellberg Nilsson, Yi Yang, Anders Rensvik | F Major | 1 | 7B | 89 BPM |
- ISRC
- GBF071203044
- Label
- L-M Records/RCA Records
Section: 0.6573874950408936
End: 0.6605145931243896