"Asyla, Op. 17: I. First Movement" by Thomas Adès, London Symphony Orchestra was released on March 3, 2017. Asyla, Op. 17: I. First Movement is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The song is number 1 out of 7 in Adès: Asyla, Tevot, Polaris by Thomas Adès, London Symphony Orchestra. Based on our statistics, Asyla, Op. 17: I. First Movement's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Asyla, Op. 17: I. First Movement by Thomas Adès, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Film Scores: No. 3. Face of Another: Waltz | Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop | A♭ Major | 1 | 4B | 112 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D♭ Minor | 2 | 12A | 94 BPM | ||
On an Overgrown Path, Series I: Good Night! | Leoš Janáček, Thomas Adès | E Minor | 0 | 9A | 140 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson) | Johann Sebastian Bach, Víkingur Ólafsson | E♭ Major | 1 | 5B | 82 BPM | ||
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": II. Andante | Franz Schubert, Belcea Quartet, Thomas Adès | B Major | 2 | 1B | 125 BPM | ||
Pärt: Für Alina | Arvo Pärt, Sergei Babayan | G Major | 0 | 9B | 130 BPM |
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