"Stanford: For Lo I Raise Up (Motet) in F Minor, Op. 145: "For lo, I raise up that bitter and hasty nation" (Chorus, Treble, Tenor)" by Charles Villiers Stanford, Choir of King's College, Cambridge, James Vivian, Stephen Cleobury was released on 1997. Since Stanford: For Lo I Raise Up (Motet) in F Minor, Op. 145: "For lo, I raise up that bitter and hasty nation" (Chorus, Treble, Tenor) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Stanford: Sacred Choral Works". In this album, this song's track order is #3. Stanford: For Lo I Raise Up (Motet) in F Minor, Op. 145: "For lo, I raise up that bitter and hasty nation" (Chorus, Treble, Tenor) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stanford: For Lo I Raise Up (Motet) in F Minor, Op. 145: "For lo, I raise up that bitter and hasty nation" (Chorus, Treble, Tenor) by Charles Villiers Stanford, Choir of King's College, Cambridge, James Vivian, Stephen Cleobury having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
All-night Vigil, Op. 37, "Vespers": Thanksgiving hymn of Virgin Mary: O victorious leader | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | C Major | 3 | 8B | 132 BPM | ||
Magnificat in G | Charles Villiers Stanford, The King's Consort, Robert King, Carolyn Sampson, Catrin Finch | G Major | 1 | 9B | 79 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
6 Chansons: No. 1. La biche | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Minor | 1 | 12A | 102 BPM | ||
The Eyes of All Wait Upon Thee | Jean Berger, Syracuse University Singers, John Warren | E Minor | 1 | 9A | 132 BPM | ||
Requiem | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM | ||
The Silver Swan | Orlando Gibbons, Apollo5 | C Major | 1 | 8B | 79 BPM | ||
Missa Maria Magdalena: Äktenskapsbryterskan | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 2 | 10B | 90 BPM | ||
Stanford: Songs of the Sea, Op. 91: No. 2, Outward Bound | Charles Villiers Stanford, Norman Del Mar, Benjamin Luxon, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra | A♭ Major | 2 | 4B | 66 BPM |
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