"Maidan 2014 / Cycle IV: II. Elegy" by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych was released on September 30, 2022. The duration of Maidan 2014 / Cycle IV: II. Elegy is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Maidan 2014 / Cycle IV: II. Elegy's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Valentin Silvestrov: Maidan by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych. The song's track number on the album is #12 out of 24 tracks. Based on our data, Germany was the country where this track was produced or recorded. Maidan 2014 / Cycle IV: II. Elegy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Maidan 2014 / Cycle IV: II. Elegy by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Maidan 2014 / Cycle IV: II. Elegy being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Seven Sounds Unseen: No. 1. — | Robert Moran, Musica Sacra, Richard Westenburg | A♭ Major | 0 | 4B | 134 BPM | ||
O Virtus Sapientiae | Hildegard von Bingen, Kirsteen Rogers, Christopher Monks | C Major | 0 | 8B | 76 BPM | ||
Isorhythmic Motets: Vasilissa ergo gaude | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | G Minor | 2 | 6A | 120 BPM | ||
Looduspildid No. 3 "Sügismaastikud": Looduspildid No. 3 "Sügismaastikud": VII. Kanarbik | Veljo Tormis, Allmänna Sången, Cecilia Rydinger Alin | A♭ Major | 1 | 4B | 168 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
Translation | Ēriks Ešenvalds, Paulann Petersen, Maeve Stier, Celine Clark, Juan Castaneda, Jonathan Roberts, Portland State University Chamber Choir, David Walters, Ethan Sperry | E♭ Major | 0 | 5B | 72 BPM | ||
Anton Bruckner: Ave Maria: Anton Bruckner:Ave Maria | Peter Dijkstra, Bavarian Radio Chorus | F Major | 0 | 7B | 136 BPM | ||
Castagnet: Messe brève: I. Kyrie | Yves Castagnet, Maitrise Notre-Dame De Paris, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Only Begotten Son | Kiev Chamber Choir | F Major | 1 | 7B | 132 BPM |
Section: 0.7312095165252686
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