"J. S. Bach: Matthäus-Passion/Zweiter Teil/Wir setzen uns mit Tränen nieder (Chor)" by Gewandhausorchester Leipzig, Dresdner Kreuzchor, Erhard Mauersberger, Thomanerchor Leipzig, Rudolf Mauersberger was released on 1975. Since J. S. Bach: Matthäus-Passion/Zweiter Teil/Wir setzen uns mit Tränen nieder (Chor) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gewandhausorchester Leipzig's "Johann Sebastian Bach: Matthäus-Passion" album is number 68 out of 68. On top of that, Germany appears to be the country where this track was created. Based on our statistics, J. S. Bach: Matthäus-Passion/Zweiter Teil/Wir setzen uns mit Tränen nieder (Chor)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of J. S. Bach: Matthäus-Passion/Zweiter Teil/Wir setzen uns mit Tränen nieder (Chor) by Gewandhausorchester Leipzig, Dresdner Kreuzchor, Erhard Mauersberger, Thomanerchor Leipzig, Rudolf Mauersberger to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Concerto for 2 Flutes in C Major, RV 533: II. Largo | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM |
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