"Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra)" by Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog was released on April 24, 2020. With this song being about 5 minutes long, at 5:15, "Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra)" by Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Bellini: Norma / Act 1: "Casta Diva" (Arr. For Cello And Orchestra By Mathieu Herzog) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) by Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marietta's Lied | Erich Wolfgang Korngold, Yo-Yo Ma, Kathryn Stott | B♭ Major | 0 | 6B | 78 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
La Norma: Ouverture | Vincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | A Major | 1 | 11B | 123 BPM | ||
Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Yumeji’s Theme - From "In the Mood for Love" | Dirk Brossé, Brussels Philharmonic | C Minor | 0 | 5A | 122 BPM | ||
Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
Peer Gynt, Op. 23 / Act III: Solveig's Song (Arr. for Cello and Piano by Georg Goltermann) | Edvard Grieg, Mischa Maisky, Lily Maisky | B♭ Major | 1 | 6B | 135 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM |
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