- BPM
- 74
- Key
- B♭ Minor
- Camelot
- 3A
Agnus Dei, Adagio Op. 11 - Samuel Barber, Accentus, Laurence Equilbey Information
- Acousticness
- 99%
- Danceability
- 9%
- Energy
- 9%
- Instrumentalness
- 63%
- Liveness
- 9%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 21%
- Loudness
- -24.03 dB
Summary
"Agnus Dei, Adagio Op. 11" by Samuel Barber, Accentus, Laurence Equilbey was released on 2003. Since Agnus Dei, Adagio Op. 11 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Transcriptions I (Deluxe Version)". In this album, this song's track order is #1. Agnus Dei, Adagio Op. 11 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Agnus Dei, Adagio Op. 11 BPM
With Agnus Dei, Adagio Op. 11 by Samuel Barber, Accentus, Laurence Equilbey having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Agnus Dei, Adagio Op. 11 Key
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Monteverdi / Arr Pluhar: Zefiro torna e di soavi accenti, SV 251 | Claudio Monteverdi, Christina Pluhar, Núria Rial, Philippe Jaroussky | F Major | 2 | 7B | 117 BPM | |
 | Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 3 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | F Minor | 3 | 4A | 111 BPM | |
 | O vis eternitatis | Hildegard von Bingen, Sequentia, Barbara Thornton | A Minor | 1 | 8A | 62 BPM | |
 | Concerto for 2 Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | E♭ Minor | 1 | 2A | 125 BPM | |
 | Les Angélus | Claude Debussy, Clytus Gottwald, Accentus, Laurence Equilbey | D♭ Minor | 0 | 12A | 101 BPM | |
 | Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434 (arr. W. Kempff for piano): 7 Keyboard Suites, Set II, No. 1: IV. Menuet (arr. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Roland Pöntinen | G Minor | 0 | 6A | 67 BPM | |
 | L'hiver | Antonio Vivaldi, Laurence Equilbey, Accentus | C Major | 1 | 8B | 137 BPM | |
 | Liturgy of St. John Chrysostom, Op. 41: VI. Hymn of the Cherubim | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 85 BPM | |
 | Concerto for Violin and Orchestra: II. = Ca. 108 | Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | C Minor | 0 | 5A | 86 BPM | |
 | Diptych: I. The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 68 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6390445232391357
End: 0.6427414417266846