"Brandenburg Concerto No.3 In G Major, BWV 1048: 2. Adagio (BWV 1019a)" by Johann Sebastian Bach, The English Concert, Trevor Pinnock was released on May 1, 2021. With Brandenburg Concerto No.3 In G Major, BWV 1048: 2. Adagio (BWV 1019a) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 175 in the song's album "Simply Bach". In this album, this song's track order is #6. The popularity of Brandenburg Concerto No.3 In G Major, BWV 1048: 2. Adagio (BWV 1019a) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Brandenburg Concerto No.3 In G Major, BWV 1048: 2. Adagio (BWV 1019a) by Johann Sebastian Bach, The English Concert, Trevor Pinnock having a BPM of 192 with a half-time of 96 BPM and a double-time of 384 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto for violin and oboe in C Minor, BWV 1060R: I. Allegro | Johann Sebastian Bach, Isabelle Faust, Xenia Löffler, Bernhard Forck, Akademie für Alte Musik Berlin | B Minor | 2 | 10A | 103 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 4 | 8B | 119 BPM | ||
Sonata No. 2 in E-Flat Major, BWV 1031: II. Siciliana | Johann Sebastian Bach, James Galway | G Minor | 0 | 6A | 102 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | D Minor | 0 | 7A | 68 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Concerto Saint Marc: II. Allegro | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | B♭ Major | 3 | 6B | 102 BPM |
Section: 0.7056107521057129
End: 0.7119359970092773