London Symphony Orchestra's 'Boléro, M. 81' came out on September 15, 2005. Boléro, M. 81 appears to be safe for all ages as it is not explicit. There are a total of 3 in the song's album "Ravel: Boléro - Daphnis et Chloë - Pavane". In this album, this song's track order is #3. Based on our statistics, Boléro, M. 81's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Boléro, M. 81 by London Symphony Orchestra having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Carmina Burana: I. O Fortuna | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 1 | 10B | 123 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Betrayal & Desolation | James Horner, London Symphony Orchestra | G Major | 1 | 9B | 84 BPM | ||
I'm Forrest... Forrest Gump | Alan Silvestri | F Major | 0 | 7B | 104 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | E Major | 1 | 12B | 141 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
La Damnation de Faust, Op. 24 / Part 1: Marche hongroise | Hector Berlioz, Orchestre des Concerts Lamoureux, Igor Markevitch | A Minor | 4 | 8A | 102 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM |
Section: 0.6443784236907959
End: 0.648345947265625