On June 17, 2022, the song "15 Sinfonias, BWV 787-801: XII. Sinfonia in A Major, BWV 798" was released by Johann Sebastian Bach, Christoph Eschenbach. With 15 Sinfonias, BWV 787-801: XII. Sinfonia in A Major, BWV 798 being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 96 out of 350 in Bach: Classical Road Trip by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 15 Sinfonias, BWV 787-801: XII. Sinfonia in A Major, BWV 798 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 15 Sinfonias, BWV 787-801: XII. Sinfonia in A Major, BWV 798 by Johann Sebastian Bach, Christoph Eschenbach is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 68 "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, The Monteverdi Choir, The London Oratory Junior Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 78 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged for cello and piano / Act 2: Dance of the Blessed Spirits (Reigen seliger Geister) | Christoph Willibald Gluck, Mischa Maisky, Pavel Gililov | B Minor | 1 | 10A | 66 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 27a. Aria a doi Cori (Sopran, Alt) "So ist mein Jesus nun gefangen" - 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden" | Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Andreas Scholl | E♭ Minor | 1 | 2A | 76 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM |
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