Felix Mendelssohn, Anne-Sophie Mutter, André Previn's 'Lieder ohne Worte, Op. 62: VI. Frühlingslied (Arr. by Fritz Kreisler for Violin and Piano)' came out on January 1, 2008. The duration of Lieder ohne Worte, Op. 62: VI. Frühlingslied (Arr. by Fritz Kreisler for Violin and Piano) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Lieder ohne Worte, Op. 62: VI. Frühlingslied (Arr. by Fritz Kreisler for Violin and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Anne-Sophie Mutter, André Previn, Lynn Harrell, Gewandhausorchester, Kurt Masur's "Mendelssohn: Violin Concerto Op.64; Piano Trio Op.49; Violin Sonata in F major (1838)" album is number 11 out of 11. On top of that, Germany appears to be the country where this track was created. The popularity of Lieder ohne Worte, Op. 62: VI. Frühlingslied (Arr. by Fritz Kreisler for Violin and Piano) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder ohne Worte, Op. 62: VI. Frühlingslied (Arr. by Fritz Kreisler for Violin and Piano) by Felix Mendelssohn, Anne-Sophie Mutter, André Previn to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Sayuri's Theme - From "Memoirs Of A Geisha" | John Williams, Anne-Sophie Mutter, The Recording Arts Orchestra of Los Angeles | D Minor | 2 | 7A | 90 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Souvenir d'un lieu cher, Op. 42: Mélodie - Live From Yellow Lounge | Pyotr Ilyich Tchaikovsky, Anne-Sophie Mutter, Lambert Orkis | E♭ Major | 2 | 5B | 107 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Introduction et Rondo capriccioso, Op. 28 - Live | Camille Saint-Saëns, Anne-Sophie Mutter, Saito Kinen Orchestra, Seiji Ozawa | A Minor | 3 | 8A | 81 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Kyung Wha Chung, Phillip Moll | E Major | 1 | 12B | 175 BPM |
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