Wolfgang Amadeus Mozart, Albrecht Mayer, Fabian Müller made "Die Zauberflöte, K. 620: Der Hölle Rache kocht in meinem Herzen (Arr. Spindler for Oboe and Piano)" available on July 30, 2022. The duration of Die Zauberflöte, K. 620: Der Hölle Rache kocht in meinem Herzen (Arr. Spindler for Oboe and Piano) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Die Zauberflöte, K. 620: Der Hölle Rache kocht in meinem Herzen (Arr. Spindler for Oboe and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 50 out of 209 in BBQ Night with Mozart by Wolfgang Amadeus Mozart, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Die Zauberflöte, K. 620: Der Hölle Rache kocht in meinem Herzen (Arr. Spindler for Oboe and Piano) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Die Zauberflöte, K. 620: Der Hölle Rache kocht in meinem Herzen (Arr. Spindler for Oboe and Piano) by Wolfgang Amadeus Mozart, Albrecht Mayer, Fabian Müller is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Robert Levin, Renaud Capuçon, Orchestre de Chambre de Lausanne | G Major | 1 | 9B | 125 BPM | ||
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 | Frédéric Chopin, Alice Sara Ott | F Minor | 1 | 4A | 80 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM |
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