"Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento"" by Wolfgang Amadeus Mozart, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm was released on January 8, 2022. With Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento" being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Start 2022 with Mozart". In this album, this song's track order is #42. In terms of popularity, Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento" by Wolfgang Amadeus Mozart, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | A Major | 1 | 11B | 79 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM | ||
Sinfonia concertante in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Midori, Nobuko Imai, Christoph Eschenbach, NDR-Sinfonieorchester | D Major | 2 | 10B | 147 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | ||
Piano Trio No. 39: Piano Trio No. 39: I. Andante | Franz Joseph Haydn, Trio Wanderer | G Major | 1 | 9B | 140 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM |
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