"Le Bourgeois Gentilhomme (1670): Marche pour la cérémonie des Turcs" by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 2000. The duration of Le Bourgeois Gentilhomme (1670): Marche pour la cérémonie des Turcs is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Le Bourgeois Gentilhomme (1670): Marche pour la cérémonie des Turcs's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel, Jacques Cordier, Michel Lambert, Robert Cambert's "Lully: Le Roi Danse - Original Motion Picture Soundtrack" album is number 18 out of 35. On top of that, Germany appears to be the country where this track was created. Le Bourgeois Gentilhomme (1670): Marche pour la cérémonie des Turcs is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Bourgeois Gentilhomme (1670): Marche pour la cérémonie des Turcs by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Second livre de pièces de clavecin, Ordre VI: No. 5, Les baricades mistérieuses | François Couperin, Blandine Verlet | A Major | 3 | 11B | 86 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | A♭ Major | 4 | 4B | 126 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Nemanja Radulović, Les Trilles Du Diable, Laure Favre-Kahn | G Minor | 2 | 6A | 77 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
L'invitation au château, FP 138: Acte 2: Tango | Francis Poulenc, Eric Le Sage | F Minor | 0 | 4A | 97 BPM | ||
Khachaturian / Orch Walter: Gayaneh, Act 4: Sabre Dance | Aram Khachaturian, Camille Berthollet, Julien Masmondet, Monte-Carlo Philharmonic Orchestra | D Major | 6 | 10B | 90 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM |
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