Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.17 in A flat major BWV862' came out on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.17 in A flat major BWV862 is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.17 in A flat major BWV862's duration is considered a little bit shorter than the average duration of a typical track. The song is number 34 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. In terms of popularity, Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.17 in A flat major BWV862 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.17 in A flat major BWV862 by Daniel Barenboim is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
Concerto for Strings in F Major, RV 138: III. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Albumblatt In E Minor, Op.117, MWV U134 | Felix Mendelssohn, Daniel Barenboim | E Minor | 1 | 9A | 68 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
Sonata in D Minor, K.32: Aria | Domenico Scarlatti, Daria van den Bercken | D Minor | 0 | 7A | 110 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.19 in A major BWV864 | Daniel Barenboim | A Major | 0 | 11B | 170 BPM | ||
Nocturne No.7 In C Sharp Minor, Op.27 No.1 | Frédéric Chopin, Daniel Barenboim | D♭ Major | 0 | 3B | 142 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.14 in F sharp minor BWV883 | Daniel Barenboim | D♭ Major | 2 | 3B | 122 BPM | ||
Les Tricoteuses (23e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 169 BPM | ||
Suite en Sol: Les Triolets | Jean-Philippe Rameau, Alexandre Tharaud | D Major | 0 | 10B | 60 BPM |
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