"Symphony in E-Flat Major, Op. 2, No. 1: II. Andante cantabile" by Joseph Aloys Schmittbaur, L'Arte del mondo, Werner Ehrhardt was released on May 26, 2023. The duration of Symphony in E-Flat Major, Op. 2, No. 1: II. Andante cantabile is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Symphony in E-Flat Major, Op. 2, No. 1: II. Andante cantabile's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Schmittbaur: Symphonies". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, Symphony in E-Flat Major, Op. 2, No. 1: II. Andante cantabile is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony in E-Flat Major, Op. 2, No. 1: II. Andante cantabile by Joseph Aloys Schmittbaur, L'Arte del mondo, Werner Ehrhardt having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in A Major, Op. 23, No. 1, G. 145: IV. Allegretto | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | D Major | 2 | 10B | 73 BPM | ||
Overture in D Major, Op. 8, No. 4: III. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 96 BPM | ||
Mozart: Sinfonia concertante in E-Flat Major, K. 297b: III. Andantino con variazioni. Allegro | Wolfgang Amadeus Mozart, Emmanuel Pahud, François Leleux, Gilbert Audin, Radovan Vlatkovic, Orchestre de chambre de Paris | B♭ Major | 0 | 6B | 67 BPM | ||
String Quartet in B-Flat Major, Op. 1 No. 1, Hob. III: 1: No. 5, Finale. Presto | Joseph Haydn, Leipziger Streichquartett | C Major | 1 | 8B | 140 BPM | ||
Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
玩具交响乐 | 东京爱乐交响乐团 | F♯ Minor | 2 | 11A | 108 BPM | ||
Keyboard Concerto No. 1 in B-Flat Major: II. Andantino | Josef Mysliveček, Clare Hammond, Swedish Chamber Orchestra, Nicholas McGegan | E♭ Major | 0 | 5B | 82 BPM | ||
Semiramis - Ballet Pantomime: 12. Adagio | Christoph Willibald Gluck, Tafelmusik Baroque Orchestra, Bruno Weil | A♭ Major | 1 | 4B | 136 BPM | ||
Quintette avec clarinette in B Minor, Op. 115: IV. Con moto | Johannes Brahms, Florent Héau, Quatuor Voce | G Major | 1 | 9B | 79 BPM |
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