Giuseppe Verdi, Helena Jungwirth, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber's 'La traviata / Act II: "Annina, donde vieni?... O mio rimorso!"' came out on January 1, 1977. The duration of La traviata / Act II: "Annina, donde vieni?... O mio rimorso!" is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. La traviata / Act II: "Annina, donde vieni?... O mio rimorso!"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber. The song's track number on the album is #11 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, La traviata / Act II: "Annina, donde vieni?... O mio rimorso!" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La traviata / Act II: "Annina, donde vieni?... O mio rimorso!" by Giuseppe Verdi, Helena Jungwirth, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act II: "Annina, donde vieni?... O mio rimorso!" being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto: Questa O Quella | Francesco Maria Piave, Peter Dvorsky, Slovak Radio Symphony Orchestra, Giuseppe Verdi | A♭ Major | 4 | 4B | 74 BPM | ||
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
Serse, HWV 40, Act I Scene 5: Aria. Meglio in voi col mio partire (Arsamene) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
Tristan und Isolde / Act 1: "Westwärts schweift der Blick" | Richard Wagner, Margaret Price, Brigitte Fassbaender, Eberhard Büchner, Staatskapelle Dresden, Carlos Kleiber | F Minor | 2 | 4A | 85 BPM | ||
Die Fledermaus / Act III: Nr. 12 Entr'acte | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | C Major | 3 | 8B | 154 BPM | ||
Mozart: Bastien und Bastienne, K. 50/46b, Scene 4: No. 9, Aria, "Geh! Du sagst mir eine Fabel" (Bastien) | Wolfgang Amadeus Mozart, Brigitte Lindner /Adolf Dallapozza/Kurt Moll/Bayerisches Staatsorchester/Eberhard Schoener, Eberhard Schoener, Bavarian State Orchestra | G Minor | 2 | 6A | 95 BPM | ||
La Forza Del Destino: Pace, Pace | Francesco Maria Piave, Miriam Gauci, Belgian Radio and Television Philharmonic Orchestra, Giuseppe Verdi | C Minor | 0 | 5A | 78 BPM | ||
Die Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und Weisen | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | C Major | 3 | 8B | 81 BPM | ||
Eugene Onegin: Act II: Kuda vy udallis | Plácido Domingo, Sir Edward Downes | E Minor | 1 | 9A | 111 BPM | ||
Serse, HWV 40, Act II Scene 4: Aria. Se brameate d'amar, chi vi sdegna (Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM |
Section: 0.7010304927825928
End: 0.704575777053833