Jörg Widmann, Benjamin Hochman's 'Six Schubert Reminiscences "Idyll and Abyss": III. Wie eine Spieluhr' came out on November 11, 2013. With Six Schubert Reminiscences "Idyll and Abyss": III. Wie eine Spieluhr being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Benjamin Hochman's "Homage to Schubert" album is number 7 out of 14. The popularity of Six Schubert Reminiscences "Idyll and Abyss": III. Wie eine Spieluhr is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Six Schubert Reminiscences "Idyll and Abyss": III. Wie eine Spieluhr by Jörg Widmann, Benjamin Hochman to be Prestissimo (even faster than presto) because the track has a tempo of 229 BPM, a half-time of 114BPM, and a double-time of 458 BPM. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Violin Concerto in D Minor, MWV O3: I. Allegro | Felix Mendelssohn, Henry Raudales, Munich Radio Orchestra | D♭ Major | 0 | 3B | 138 BPM | ||
Schumann: Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos | A Major | 0 | 11B | 114 BPM | ||
Sonate, Op. 64: I. Andantino con moto | Mel Bonis, Juliette Hurel, Hélène Couvert | D♭ Major | 0 | 3B | 96 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM |
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