Johann Sebastian Bach, Wilhelm Kempff made "Prelude & Fugue in D Minor (Well-Tempered Clavier, Book I, No. 6), BWV 851: Prelude" available on October 9, 2021. With Prelude & Fugue in D Minor (Well-Tempered Clavier, Book I, No. 6), BWV 851: Prelude being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 161 out of 384 in Cosy Bach by Johann Sebastian Bach, Various Artists. Prelude & Fugue in D Minor (Well-Tempered Clavier, Book I, No. 6), BWV 851: Prelude is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Prelude & Fugue in D Minor (Well-Tempered Clavier, Book I, No. 6), BWV 851: Prelude by Johann Sebastian Bach, Wilhelm Kempff is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
St. Matthew Passion BWV 244 (Piano Arr. By S. Bagge), Pt 1: 28. Recitativ 'Der Heiland Fällt Vorseinem Vater Nieder' | Johann Sebastian Bach, Irene Cantos | G Minor | 0 | 6A | 73 BPM | ||
Overture (Suite) No. 2 In B minor, BWV 1067 : VII. Badinerie | Bach Collegium Japan, Liliko Maeda, Johann Sebastian Bach | B♭ Minor | 1 | 3A | 124 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Violin Concerto No. 2 In E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | D♭ Minor | 1 | 12A | 99 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Matthäus-Passion, BWV 244 / Erster Teil: No. 1 "Kommt, ihr Töchter, helft mir klagen" | Johann Sebastian Bach, English Baroque Soloists, The Monteverdi Choir, The London Oratory Junior Choir, John Eliot Gardiner | E♭ Minor | 1 | 2A | 81 BPM | ||
Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM |
Section: 0.7821717262268066
End: 0.7874302864074707