"Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on January 1, 1976. The duration of Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelle for Piano in A Minor "Für Elise", WoO 59 | Leonard Hokanson | A Minor | 0 | 8A | 145 BPM | ||
Masquerade, Ballet Music - Suite from the Music to the "Drama of Lermontov": I. Waltz | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Symphony Orchestra | C Major | 5 | 8B | 97 BPM | ||
Le Carnaval des Animaux, R. 125: 7. Aquarium | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | A Minor | 0 | 8A | 136 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
A Walk in the Skies | Joe Hisaishi | B♭ Major | 3 | 6B | 119 BPM | ||
The Secret Wedding | James Horner, London Symphony Orchestra | D Minor | 0 | 7A | 135 BPM | ||
I'm Forrest... Forrest Gump | Alan Silvestri | F Major | 0 | 7B | 104 BPM | ||
La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | ||
Blue Danube Waltz | London Symphony Orchestra | D Major | 1 | 10B | 180 BPM | ||
Arrival of the Birds | The Cinematic Orchestra, London Metropolitan Orchestra | E♭ Minor | 1 | 2A | 130 BPM |
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