"Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on January 1, 1976. The duration of Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: La stravaganza, Violin Concerto in E Minor, Op. 4 No. 2, RV 279: I. Allegro | Antonio Vivaldi, Europa Galante, Fabio Biondi | E♭ Minor | 3 | 2A | 109 BPM | ||
My Neighbour TOTORO | Joe Hisaishi, London Symphony Orchestra | C Major | 2 | 8B | 130 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn | A Major | 3 | 11B | 152 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | B♭ Major | 0 | 6B | 89 BPM | ||
Carmina Burana: I. O Fortuna | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 1 | 10B | 123 BPM | ||
Fur Elise | London Symphony Orchestra | A Minor | 0 | 8A | 82 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Lacrimosa | Wolfgang Amadeus Mozart, HAUSER, Robert Ziegler, London Symphony Orchestra | D Minor | 4 | 7A | 89 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 1 | 6B | 119 BPM |
Section: 0.7017061710357666
End: 0.7055730819702148