On January 18, 2023, the song "Orphelins" was released by Mathieu Lamboley. The duration of Orphelins is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Orphelins's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mathieu Lamboley's "La guerre des Lulus (Bande originale du Film)" album is number 5 out of 19. On top of that, France appears to be the country where this track was created. In terms of popularity, Orphelins is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Orphelins by Mathieu Lamboley to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Susie Glass | Chris Benstead | F Major | 1 | 7B | 109 BPM | ||
Mrs. True | Mark Isham | F♯ Major | 1 | 2B | 137 BPM | ||
Morning | Andrew Lockington | A Minor | 1 | 8A | 74 BPM | ||
The First Goodbye | Christopher Spelman | D♭ Minor | 1 | 12A | 76 BPM | ||
The Gilded Age (Main Title Theme) | Harry Gregson-Williams, Rupert Gregson-Williams | E♭ Major | 5 | 5B | 90 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2, "Moonlight": I. Adagio sostenuto - S A Y C E T Rework | Saycet | D♭ Major | 2 | 3B | 144 BPM | ||
Amour | Saycet | C Major | 2 | 8B | 80 BPM | ||
Arriving for the Game | Alex Baranowski, Andy Brown, London Metropolitan Orchestra | D Minor | 2 | 7A | 110 BPM | ||
Omerta Of The Libertines | Johan Söderqvist | F♯ Minor | 1 | 11A | 138 BPM | ||
Octopus Joy | Kevin Smuts | A♭ Major | 0 | 4B | 71 BPM |
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