Steve Reich, Colin Currie, Sam Walton made "Reich: Nagoya Marimbas, for 2 Marimbas" available on 1998. With this song being about 5 minutes long, at 4:54, "Reich: Nagoya Marimbas, for 2 Marimbas" by Steve Reich, Colin Currie, Sam Walton is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Striking a Balance". In this album, this song's track order is #12. In terms of popularity, Reich: Nagoya Marimbas, for 2 Marimbas is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Reich: Nagoya Marimbas, for 2 Marimbas by Steve Reich, Colin Currie, Sam Walton having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
G Song (arr. D. Bukowski for marimba and vibraphone) | Terry Riley, Dominik Bukowski, Kasia Kadłubowska | G Minor | 1 | 6A | 116 BPM | ||
Gayane Suite No. 3: IV. Gayane's Adagio | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | F Minor | 1 | 4A | 74 BPM | ||
The Protecting Veil: The Nativity of the Mother of God | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F♯ Minor | 0 | 11A | 101 BPM | ||
Ciaccona (I) | L'Arpeggiata, Christina Pluhar | C Major | 2 | 8B | 101 BPM | ||
Flowering Jasmine | Georgs Pelēcis, Gidon Kremer | A Minor | 0 | 8A | 135 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
The Garden Is Becoming A Robe Room - 2004 Digital Remaster | Michael Nyman | E Minor | 3 | 9A | 73 BPM | ||
Cello Sonata: I. Dialogo | György Ligeti, Miklós Perényi | F Major | 0 | 7B | 94 BPM | ||
Preludes: La colombe (The Dove) | Olivier Messiaen, Håkon Austbø | F♯ Minor | 0 | 11A | 135 BPM |
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