Arthur Sullivan, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey made "3. Oh, better far to live and die" available on January 1, 1968. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 4 out of 40. In terms of popularity, 3. Oh, better far to live and die is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 3. Oh, better far to live and die by Arthur Sullivan, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Meet Me in St. Louis, Louis (from "Meet Me in St. Louis") - 2022 Remaster | Judy Garland, Lucille Bremer | F♯ Minor | 5 | 11A | 176 BPM | ||
Pick-A-Little, Talk-A-Little | Hermione Gingold, The Biddys | G Major | 5 | 9B | 140 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Royal Philharmonic Orchestra, Antal Doráti | C Major | 2 | 8B | 144 BPM | ||
H.M.S.Pinafore: Now give three cheers...When I was a lad | Arthur Sullivan, Joyce Wright, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 2 | 7B | 96 BPM | ||
Opening Night | The Producers Ensemble, Original Broadway Cast of The Producers | C Major | 6 | 8B | 158 BPM | ||
The Pirates of Penzance, Act I: I Am the Very Model of a Modern Major-General | Gilbert & Sullivan Society of Houston | B♭ Major | 3 | 6B | 79 BPM | ||
God Only Knows | The Beach Boys, Royal Philharmonic Orchestra | A Major | 3 | 11B | 117 BPM | ||
I'll Go Home with Bonnie Jean | Van Johnson | G Major | 4 | 9B | 128 BPM | ||
The Pirates of Penzance: When Fred'ric Was a Little Lad | Susan Gorton | C Major | 1 | 8B | 59 BPM | ||
Street Scene: What Good Would the Moon Be? | Kurt Weill, Anne Jeffreys, Maurice Abravanel | D♭ Major | 2 | 3B | 54 BPM |
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