Julius Fučík, The Philip Jones Brass Ensemble, Elgar Howarth made "Entry of the Gladiators (Arr. for Brass Ensemble)" available on January 6, 2001. The duration of Entry of the Gladiators (Arr. for Brass Ensemble) is about 3 minutes long, at 3:00. Based on our data, "Entry of the Gladiators (Arr. for Brass Ensemble)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "The World of the Philip Jones Brass Ensemble". In this album, this song's track order is #11. In terms of popularity, Entry of the Gladiators (Arr. for Brass Ensemble) is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Entry of the Gladiators (Arr. for Brass Ensemble) by Julius Fučík, The Philip Jones Brass Ensemble, Elgar Howarth having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble | F Major | 0 | 7B | 65 BPM | ||
Suite for Bass: III. Gavotte | Johann Sebastian Bach, The Philip Jones Brass Ensemble | F Major | 3 | 7B | 93 BPM | ||
El Camino Real | Alfred Reed, Senzoku Gakuen Symphonic Wind Orchestra | D Minor | 2 | 7A | 68 BPM | ||
The Cuckoo | Elgar Howarth, The Philip Jones Brass Ensemble, Philip Jones | F Major | 2 | 7B | 168 BPM | ||
Frühlingsbotschaft, Op. 114 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 79 BPM | ||
Fanfare and National Anthem | Gordon Langford, Chapel Royal Choir, John Radcliffe Williams, Andrew Davis, The Philip Jones Brass Ensemble | A Major | 3 | 11B | 139 BPM | ||
Arabian Dances | Alfred Concert Band | B♭ Major | 3 | 6B | 79 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Second Suite in F Major, Op. 28 No. 2, H. 106: IV. Fantasia on the Dargason | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | F Major | 1 | 7B | 146 BPM | ||
Trumpet Concerto in E flat: 1. Allegro | Johann Wilhelm Hertel, Håkan Hardenberger, London Philharmonic Orchestra, Elgar Howarth | B♭ Major | 1 | 6B | 117 BPM |
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