"Quam pulchra es - 1987 Remastered Version" by John Dunstable, The Hilliard Ensemble, Paul Hillier was released on 1984. The duration of Quam pulchra es - 1987 Remastered Version is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Quam pulchra es - 1987 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 9 in Dunstable - Motets by John Dunstable, The Hilliard Ensemble, Paul Hillier. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Quam pulchra es - 1987 Remastered Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quam pulchra es - 1987 Remastered Version by John Dunstable, The Hilliard Ensemble, Paul Hillier is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantate Domino a 6, C. 6 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Wim Becu | B Major | 1 | 1B | 65 BPM | ||
Messe Et ecce terrae motus: I. Kyrie | Antoine Brumel, Studio De Musique Ancienne De Montréal, Christopher Jackson | D♭ Major | 2 | 3B | 132 BPM | ||
Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | C Minor | 1 | 5A | 129 BPM | ||
Si liet'e grata morte | Philippe Verdelot, The Hilliard Ensemble, Paul Hillier | G Minor | 0 | 6A | 101 BPM | ||
Missa "Mille Regretz": Magnificat (Morales) | The Hilliard Ensemble | E Minor | 1 | 9A | 75 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Miserere: II. Tibi soli peccavi | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 84 BPM | ||
Messe vidi turbam magnam: No. 5, credo | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 142 BPM | ||
Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c) | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Pérotin, Tonus Peregrinus, Antony Pitts | A♭ Major | 2 | 4B | 111 BPM |
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