Sonata à 5 in G Minor, Op. 2 by Tomaso Albinoni, Kurt Redel, Camerata Labacensis

Song Analysis

Audio information that is featured on Sonata à 5 in G Minor, Op. 2 by Tomaso Albinoni, Kurt Redel, Camerata Labacensis.

Acousticness

81%

Energy

28%

Liveness

35%

Speechiness

4%

Danceability

29%

Instrumentalness

36%

Loudness

79%

Valence

16%

Harmonic Matches

Find songs that harmonically matches to Sonata à 5 in G Minor, Op. 2 by Tomaso Albinoni, Kurt Redel, Camerata Labacensis. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Concerto Grosso No. 8 in G Minor, Op. 6 No. 8 Concerto Grosso No. 8 in G Minor, Op. 6 No. 8 "Christmas Concerto": II. AllegroArcangelo Corelli, David Parry, London Philharmonic OrchestraG Minor26A73
Cello Concerto in B flat, G.482: 2. Adagio non Troppo by Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James JuddCello Concerto in B flat, G.482: 2. Adagio non TroppoLuigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James JuddG Minor16A90
Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio by London Harpsichord Ensemble, Sarah FrancisOboe Concerto in B Flat Major, Op. 7 No. 3: II. AdagioLondon Harpsichord Ensemble, Sarah FrancisG Minor26A72
Concerto in B flat for Trumpet, Violin and Strings RV 548 (ed. Malipiero): II. Largo by Maurice André, Academy of St. Martin in the Fields, Sir Neville Marriner, Iona BrownConcerto in B flat for Trumpet, Violin and Strings RV 548 (ed. Malipiero): II. LargoMaurice André, Academy of St. Martin in the Fields, Sir Neville Marriner, Iona BrownG Minor16A69
Psalmen Davids samt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Wie lieblich sind deine Wohnungen, SWV 29, Psalmen Davids samt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Wie lieblich sind deine Wohnungen, SWV 29, "Psalm 84"Heinrich Schütz, The Monteverdi Choir, Edmund Connolly, John Eliot GardinerG Minor16A73
Cello Concerto No. 9 In B Flat Major, G. 482: II. Adagio (Non Troppo) by Capella Istropolitana, Ludovit Kanta, Luigi BoccheriniCello Concerto No. 9 In B Flat Major, G. 482: II. Adagio (Non Troppo)Capella Istropolitana, Ludovit Kanta, Luigi BoccheriniG Minor06A85
The Planets Suite, Op. 32: Jupiter by Gustav Holst, David Parry, London Philharmonic OrchestraThe Planets Suite, Op. 32: JupiterGustav Holst, David Parry, London Philharmonic OrchestraG Minor26A172
II. Siciliano from Flute Sonata in E-flat Major, BWV 1031 by Trevor Pinnock, Jean-Pierre RampalII. Siciliano from Flute Sonata in E-flat Major, BWV 1031Trevor Pinnock, Jean-Pierre RampalG Minor16A57
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity by Gustav Holst, Berliner Philharmoniker, Herbert von KarajanThe Planets, Op. 32: 4. Jupiter, the Bringer of JollityGustav Holst, Berliner Philharmoniker, Herbert von KarajanG Minor36A140
Oboe Concerto in G Minor, Op. 9 No. 8: III. Allegro by London Harpsichord Ensemble, Sarah FrancisOboe Concerto in G Minor, Op. 9 No. 8: III. AllegroLondon Harpsichord Ensemble, Sarah FrancisG Minor36A106
Les Quatres Saisons: Concerto En Fa Mineur, RV 297 Les Quatres Saisons: Concerto En Fa Mineur, RV 297 "L'hiver": II. LargoAcademy of St. Martin in the Fields, Iona BrownB♭ Major26B130
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina) by Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám FischerIl barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina)Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám FischerB♭ Major16B103
Armide: Overture by Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan BrownArmide: OvertureJean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan BrownB♭ Major16B70
Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro by Tomaso Albinoni, Tine Thing HelsethAlbinoni: Concerto In B Flat, Op 7 No.3 - I AllegroTomaso Albinoni, Tine Thing HelsethB♭ Major36B113
Les baricades mystérieuses - Arranged By Göran Söllscher by François Couperin, Göran SöllscherLes baricades mystérieuses - Arranged By Göran SöllscherFrançois Couperin, Göran SöllscherB♭ Major16B138
Nocturne No. 2 in E Flat, Op. 9 by Frédéric Chopin, Peter SchmalfussNocturne No. 2 in E Flat, Op. 9Frédéric Chopin, Peter SchmalfussB♭ Major06B101
Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio by London Harpsichord Ensemble, Sarah FrancisOboe Concerto in G Minor, Op. 9 No. 8: II. AdagioLondon Harpsichord Ensemble, Sarah FrancisB♭ Major16B78
Messe solennelle de Sainte Cecile: Benedictus by Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf ZöbeleyMesse solennelle de Sainte Cecile: BenedictusCharles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf ZöbeleyB♭ Major06B90
Concerto No. 1 in B-Flat Major for Oboe and Orchestra, HWV 302a: III. Sarabande by Slovak Chamber Orchestra, Jiri KrejciConcerto No. 1 in B-Flat Major for Oboe and Orchestra, HWV 302a: III. SarabandeSlovak Chamber Orchestra, Jiri KrejciB♭ Major46B79
Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. Adagio by Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa GarattiConcerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. AdagioTomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa GarattiB♭ Major16B75
Concerto No. 3 In G Major RV 310: II. Largo (Vivaldi) by Accademia BizantinaConcerto No. 3 In G Major RV 310: II. Largo (Vivaldi)Accademia BizantinaB♭ Major06B65
Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio by London Harpsichord Ensemble, Sarah FrancisOboe Concerto in D Minor, Op. 9 No. 2: II. AdagioLondon Harpsichord Ensemble, Sarah FrancisB♭ Major16B77
Oboe Concerto in B Flat Major, Op. 7 No. 3: III. Allegro by London Harpsichord Ensemble, Sarah FrancisOboe Concerto in B Flat Major, Op. 7 No. 3: III. AllegroLondon Harpsichord Ensemble, Sarah FrancisB♭ Major26B103
Oboe Concerto in B Flat Major, Op. 7 No. 3: I. Allegro by London Harpsichord Ensemble, Sarah FrancisOboe Concerto in B Flat Major, Op. 7 No. 3: I. AllegroLondon Harpsichord Ensemble, Sarah FrancisB♭ Major36B95
Oboe Concerto in B Flat Major, Op. 9 No. 11: I. Allegro by London Harpsichord Ensemble, Sarah FrancisOboe Concerto in B Flat Major, Op. 9 No. 11: I. AllegroLondon Harpsichord Ensemble, Sarah FrancisB♭ Major26B99

Sonata à 5 in G Minor, Op. 2 by Tomaso Albinoni, Kurt Redel, Camerata Labacensis Information

This song is track #19 in 300 Minutes of Classical Music by Tomaso Albinoni, Kurt Redel, Camerata Labacensis, which has a total of 50 tracks. The duration of this track is 8:40 and was released on June 5, 2021. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Sonata à 5 in G Minor, Op. 2 might be one of them, due to it's low energy and danceability.

Sonata à 5 in G Minor, Op. 2 BPM

Sonata à 5 in G Minor, Op. 2 has a BPM of 98. Since this track has a tempo of 98, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Sonata à 5 in G Minor, Op. 2 Key

The key of Sonata à 5 in G Minor, Op. 2 is G Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

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