Marcelo Álvarez's 'Ah, mes amis...Pour man âme (La Fille du Régiment)' came out on 2009. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Tenorissimo!". In this album, this song's track order is #2. Ah, mes amis...Pour man âme (La Fille du Régiment) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ah, mes amis...Pour man âme (La Fille du Régiment) by Marcelo Álvarez having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chansons de Marjolie: No. 7, En paradis | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Adriana Lecouvreur: Act II: Ma, dunque, e vero? (Adriana) | Francesco Cilea, Micaela Carosi, Marcelo Álvarez, Marianne Cornetti, Alfonso Antoniozzi, Simone Del Savio, Luca Casalin, Antonella De Chiara, Patrizia Porzio, Carlo Bosi, Diego Matamoros, Torino Teatro Regio Chorus, Torino Teatro Regio Orchestra, Renato Palumbo | D♭ Major | 1 | 3B | 76 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM | ||
Los Pescadores de Perlas "Mi Par D'udir Ancora" | Alfredo Kraus | D Major | 2 | 10B | 168 BPM | ||
Doña Francisquita, Act I: Canción de la Juventud (Cardona, Fernando, Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Santiago Jerico, Alfredo Kraus, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | E Major | 2 | 12B | 143 BPM | ||
The Last Rose of Summer | Friedrich von Flotow, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | F♯ Major | 1 | 2B | 72 BPM | ||
Lucia di Lammermoor, Act II: Piange la madre estinta | Gaetano Donizetti, Stefano Antonucci, Zuzana Markova, Marcello Nardis, Mariano Buccino, Carlotta Vichi, Andrea Bocelli, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 5 | 10B | 78 BPM | ||
Chanson Slave | Cécile Chaminade, Paul Ginisty, Marina Rebeka, Mathieu Pordoy | B Major | 4 | 1B | 94 BPM | ||
Tacea la Notte Placida (Il Trovatore) | Renata Tebaldi, Orchestre de la Suisse Romande | D Major | 3 | 10B | 85 BPM |
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