- BPM
- 113
- Key
- A Major
- Camelot
- 11B
Marche De Radetzky Op228 (Remast) - Herbert von Karajan Information
- Acousticness
- 74%
- Danceability
- 70%
- Energy
- 48%
- Instrumentalness
- 70%
- Liveness
- 31%
- Loudness
- 78%
- Speechiness
- 4%
- Valence
- 67%
- Popularity
- 21%
- Loudness
- -13.48 dB
Summary
Herbert von Karajan made "Marche De Radetzky Op228 (Remast)" available on March 3, 2003. The duration of Marche De Radetzky Op228 (Remast) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Marche De Radetzky Op228 (Remast)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 20 in Bal A Vienne by Herbert von Karajan. In terms of popularity, Marche De Radetzky Op228 (Remast) is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Marche De Radetzky Op228 (Remast) BPM
The tempo marking of Marche De Radetzky Op228 (Remast) by Herbert von Karajan is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Marche De Radetzky Op228 (Remast) Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | |
 | Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | |
 | The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | |
 | Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | |
 | Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | |
 | The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | |
 | St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 126 BPM | |
 | Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7748050689697266
End: 0.7792057991027832