Vienna Volksoper Orchestra, Josef Leo Gruber's 'Coppélia - Ballet Suite: Festival of the Closcks & Dance of the hours' came out on November 27, 2011. With this song being about 5 minutes long, at 5:04, "Coppélia - Ballet Suite: Festival of the Closcks & Dance of the hours" by Vienna Volksoper Orchestra, Josef Leo Gruber is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in St. Louis Symphony's "Instant Classical Collection - Most Popular Masterpieces, Vol. 2" album is number 26 out of 99. In terms of popularity, Coppélia - Ballet Suite: Festival of the Closcks & Dance of the hours is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Coppélia - Ballet Suite: Festival of the Closcks & Dance of the hours by Vienna Volksoper Orchestra, Josef Leo Gruber to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Adrian Leaper | G Minor | 1 | 6A | 71 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) | Edvard Grieg, Libor Pešek, Slovac Philharmony | F Major | 0 | 7B | 95 BPM | ||
Ave Maria, Op. 52/6, D. 839 | Franz Schubert, Christa Ludwig, Irwin Gage | G Major | 2 | 9B | 177 BPM | ||
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
Waltz No. 2 in A Minor, Op. 34 | Frédéric Chopin, Dubravka Tomšič | B Major | 0 | 1B | 81 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Libor Pešek, Slovac Philharmony | F♯ Minor | 1 | 11A | 156 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
String Quintet No. 6 in E Major, Op. 11, No. 5: String Quintet no.6 in E major, op.11 no.5: III. Minuetto - Trio | Luigi Boccherini, Cuarteto Casals, Eckart Runge | A Major | 0 | 11B | 126 BPM |
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