Peter Schmalfuss made "Piano Sonata No. 16 in C Major, K.545 "Sonata facile": I. Allegro" available on March 6, 2012. The duration of Piano Sonata No. 16 in C Major, K.545 "Sonata facile": I. Allegro is about 3 minutes long, at 3:19. Based on our data, "Piano Sonata No. 16 in C Major, K.545 "Sonata facile": I. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 30 in Classical Music for Yoga and Relaxation by Peter Schmalfuss. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Piano Sonata No. 16 in C Major, K.545 "Sonata facile": I. Allegro's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Piano Sonata No. 16 in C Major, K.545 "Sonata facile": I. Allegro by Peter Schmalfuss is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM | ||
Drei Walzer für Klavier in C-Sharp Minor, Op. 64, Nr. 2: Walzer Nr. 7 | Sylvia Capova | D♭ Minor | 1 | 12A | 68 BPM | ||
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato (Excerpt) | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | A Minor | 1 | 8A | 81 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Fantasy Pieces, op. 73 " Fantasiestücke " : I. Zart und mit Ausdruck | Elisabeth Ganter, Peter Schmalfuss | A Minor | 0 | 8A | 128 BPM | ||
Nocturne, Op. 15: No. 1 | Frédéric Chopin, Peter Schmalfuss | F Major | 0 | 7B | 67 BPM | ||
Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Giovanni Umberto Battel | A♭ Major | 0 | 4B | 94 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Canon | Johann Pachelbel, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 137 BPM |
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