- BPM
- 170
- Key
- C Major
- Camelot
- 8B
Rape of Lucretia, Act I, Scene I: Collatinus is politically astute - Benjamin Britten, Aldeburgh Festival Ensemble/Oliver Knussen/Christopher Purves/Benjamin Russell/Peter Coleman-Wright/Ian Bostridge, Oliver Knussen, Aldeburgh Festival Ensemble Information
- Acousticness
- 94%
- Danceability
- 24%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 3%
- Loudness
- -26.914 dB
Summary
"Rape of Lucretia, Act I, Scene I: Collatinus is politically astute" by Benjamin Britten, Aldeburgh Festival Ensemble/Oliver Knussen/Christopher Purves/Benjamin Russell/Peter Coleman-Wright/Ian Bostridge, Oliver Knussen, Aldeburgh Festival Ensemble was released on December 28, 2012. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 28 in Britten: The Rape of Lucretia by Benjamin Britten, Aldeburgh Festival Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Rape of Lucretia, Act I, Scene I: Collatinus is politically astute is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Rape of Lucretia, Act I, Scene I: Collatinus is politically astute BPM
The tempo marking of Rape of Lucretia, Act I, Scene I: Collatinus is politically astute by Benjamin Britten, Aldeburgh Festival Ensemble/Oliver Knussen/Christopher Purves/Benjamin Russell/Peter Coleman-Wright/Ian Bostridge, Oliver Knussen, Aldeburgh Festival Ensemble is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Rape of Lucretia, Act I, Scene I: Collatinus is politically astute Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | |
 | The Sea: No. 3 Moonlight | Frank Bridge, New Zealand Symphony Orchestra, James Judd | E Minor | 0 | 9A | 78 BPM | |
 | Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | |
 | Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | |
 | Saint Nicolas, Op. 42: The Birth Of Nicolas | Benjamin Britten, Sir Peter Pears, David Hemmings, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra | D Minor | 1 | 7A | 171 BPM | |
 | Brandenburg Concerto No.1 in F, BWV 1046: 4. Menuetto: Trio I | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | F Major | 1 | 7B | 69 BPM | |
 | War Requiem, Op. 66 / Libera me: 6c. Let Us Sleep Now...In Paradisum | Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Galina Vishnevskaya, Highgate School Choir, Simon Preston, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra | A Major | 1 | 11B | 101 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
| Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM |
- ISRC
- GBPFW1200229
- Label
- L-M Records/RCA Records
Section: 1.2527577877044678
End: 1.2571661472320557