"Fauré: Requiem, Op. 48: VII. In paradisum" by Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra was released on January 1, 1968. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 8 in Fauré: Requiem, Op. 48 & Pavane, Op. 50 by Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra. In terms of popularity, Fauré: Requiem, Op. 48: VII. In paradisum is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Requiem, Op. 48: VII. In paradisum by Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Nunc dimittis | Geoffrey Burgon, Thomas Hopkinson, Choir of King's College, Cambridge, John Wallace, Stephen Cleobury | A Minor | 0 | 8A | 63 BPM | ||
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer | B Minor | 0 | 10A | 132 BPM | ||
Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Kiri Te Kanawa, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 0 | 6B | 88 BPM | ||
Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
Spiegel im Spiegel (Arr. Violin & Harp) | Arvo Pärt, Gidon Kremer, Naoko Yoshino | F Major | 0 | 7B | 79 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 1 | 8B | 49 BPM | ||
À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM |
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