Antonio Stringari, Annemieke Cantor, Agileu Motta, Eero Palviainen, Per Mattsson, Markus Tapio, Leif Henrikson, Jonte Knif made "Poi ch'io son in libertade" available on 1999. With this song being about 5 minutes long, at 4:49, "Poi ch'io son in libertade" by Antonio Stringari, Annemieke Cantor, Agileu Motta, Eero Palviainen, Per Mattsson, Markus Tapio, Leif Henrikson, Jonte Knif is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 28 out of 28 in Barzellette - North Italian Frottole of the Early 16th Century by Retrover, Markus Tapio. In terms of popularity, Poi ch'io son in libertade is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Poi ch'io son in libertade by Antonio Stringari, Annemieke Cantor, Agileu Motta, Eero Palviainen, Per Mattsson, Markus Tapio, Leif Henrikson, Jonte Knif is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deus, qui beatum Marcum a 10, C. 36 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu | B Major | 1 | 1B | 87 BPM | ||
Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Aria | Johann Sebastian Bach, Andrew Lawrence-King | C Major | 0 | 8B | 108 BPM | ||
Almaine | Richard Dering, Trinity Baroque, The Forbury Consort, The Holbein Consort, Alan Crumpler, Martin Pope, Steven Player, Julian Podger | G Major | 0 | 9B | 133 BPM | ||
Non più saette Amor | Antonio Stringari, Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey | D Major | 1 | 10B | 83 BPM | ||
Brumel: Mater Patris - 1. Mater Patris Et Filia | The Tallis Scholars, Peter Phillips | D Minor | 1 | 7A | 73 BPM | ||
Stabat mater: II. Cujus animam gementem | Domenico Scarlatti, Zurich Chamber Singers, Christian Erny | C Minor | 3 | 5A | 95 BPM | ||
Godi turba mortal | Emilio de' Cavalieri, Theatro dei Cervelli, Andrés Locatelli | G Major | 0 | 9B | 94 BPM | ||
Innsbruck, ich muß dich lassen | Heinrich Isaac, Harmonia Recorder Ensemble | C Major | 0 | 8B | 135 BPM | ||
Pasión: Pater, In manus Tuas | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM |
Section: 0.649320125579834
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