6 Bagatelles, Op. 126: No. 3 Andante by Ludwig van Beethoven, Wilhelm Kempff

Song Analysis

Audio information that is featured on 6 Bagatelles, Op. 126: No. 3 Andante by Ludwig van Beethoven, Wilhelm Kempff.

Acousticness

99%

Energy

2%

Liveness

9%

Speechiness

4%

Danceability

35%

Instrumentalness

93%

Loudness

55%

Valence

16%

Harmonic Matches

Find songs that harmonically matches to 6 Bagatelles, Op. 126: No. 3 Andante by Ludwig van Beethoven, Wilhelm Kempff. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Elgar: Variations on an Original Theme, Op. 36 Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod"Edward Elgar, Sir John Barbirolli, Philharmonia OrchestraE♭ Major25B167
Serenade in B-Flat Major, K. 361 Serenade in B-Flat Major, K. 361 "Gran Partita": III. AdagioWolfgang Amadeus Mozart, Orpheus Chamber OrchestraE♭ Major05B68
6 Soirées à Saint-Petersbourg, Op. 44 No. 3: Preghiera by Anton Rubinstein, Roberte Mamou6 Soirées à Saint-Petersbourg, Op. 44 No. 3: PreghieraAnton Rubinstein, Roberte MamouE♭ Major15B97
Grainger / Orch. Artok: Country Gardens, BFMS 22 by Percy Grainger, Light Music Society Orchestra, Sir Vivian DunnGrainger / Orch. Artok: Country Gardens, BFMS 22Percy Grainger, Light Music Society Orchestra, Sir Vivian DunnE♭ Major25B157
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro by Dmitri Shostakovich, Gianandrea Noseda, London Symphony OrchestraSymphony No. 9 in E-Flat Major, Op. 70: I. AllegroDmitri Shostakovich, Gianandrea Noseda, London Symphony OrchestraE♭ Major25B132
Nimrod From Enigma Variations by Edward Elgar, Royal Philharmonic Orchestra, Philip EllisNimrod From Enigma VariationsEdward Elgar, Royal Philharmonic Orchestra, Philip EllisE♭ Major15B112
Lullaby (Guten Abend, gut' Nacht) by Johannes Brahms, Fabian MüllerLullaby (Guten Abend, gut' Nacht)Johannes Brahms, Fabian MüllerE♭ Major05B70
Piano Concerto No.27 in B flat, K.595: 2. Larghetto by Wolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland OrchestraPiano Concerto No.27 in B flat, K.595: 2. LarghettoWolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland OrchestraE♭ Major05B72
Symphony No.5 In B Flat, D.485: 2. Andante con moto by Franz Schubert, Chamber Orchestra of Europe, Claudio AbbadoSymphony No.5 In B Flat, D.485: 2. Andante con motoFranz Schubert, Chamber Orchestra of Europe, Claudio AbbadoE♭ Major15B81
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro by Carl Maria von Weber, Charles Neidich, Orpheus Chamber OrchestraConcertino for Clarinet and Orchestra in E-Flat, Op. 26: AllegroCarl Maria von Weber, Charles Neidich, Orpheus Chamber OrchestraE♭ Major15B157
Du bist die Ruh, Op. 59/3, D. 776 by Franz Schubert, Mischa Maisky, Daria HovoraDu bist die Ruh, Op. 59/3, D. 776Franz Schubert, Mischa Maisky, Daria HovoraE♭ Major05B67
Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio by Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon RattlePiano Concerto No. 2 in B Flat Major, Op. 19: II. AdagioLudwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon RattleE♭ Major05B74
The Labrador by Goetz OestlindThe LabradorGoetz OestlindE♭ Major05B110
Peter and the Wolf, Op. 67 (Remastered): The Wolf Stalks the Bird and the Cat by Sergei Prokofiev, Eugene Ormandy, Philadelphia OrchestraPeter and the Wolf, Op. 67 (Remastered): The Wolf Stalks the Bird and the CatSergei Prokofiev, Eugene Ormandy, Philadelphia OrchestraC Minor15A79
Game of Thrones Theme - Piano Version by Ian WongGame of Thrones Theme - Piano VersionIan WongC Minor25A162
Gypsy Melodies, Op.55, B. 104: 4. Songs My Mother Taught Me (Adapt. For Cello And Orchestra) by Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu HerzogGypsy Melodies, Op.55, B. 104: 4. Songs My Mother Taught Me (Adapt. For Cello And Orchestra)Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu HerzogC Minor15A100
Elegy for Solo Viola by Igor Stravinsky, Tatjana MasurenkoElegy for Solo ViolaIgor Stravinsky, Tatjana MasurenkoC Minor05A82
Adagio for Strings and Organ in G Minor - Excerpt by Tomaso Albinoni, Stuttgart Chamber Orchestra, Karl MünchingerAdagio for Strings and Organ in G Minor - ExcerptTomaso Albinoni, Stuttgart Chamber Orchestra, Karl MünchingerC Minor25A96
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana by Ottorino Respighi, Boston Symphony Orchestra, Seiji OzawaAncient Airs And Dances, Suite No.3, P. 172: 3. SicilianaOttorino Respighi, Boston Symphony Orchestra, Seiji OzawaC Minor25A109
Deux mélodies hébraïques, M. A22: 1. Kaddisch (Transcr. For Cello And Orchestra By Richard Tognetti) by Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu HerzogDeux mélodies hébraïques, M. A22: 1. Kaddisch (Transcr. For Cello And Orchestra By Richard Tognetti)Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu HerzogC Minor15A82
The Departure by Lang LangThe DepartureLang LangC Minor05A62

6 Bagatelles, Op. 126: No. 3 Andante by Ludwig van Beethoven, Wilhelm Kempff Information

This song is track #17 in Beethoven: Classical Summer by Ludwig van Beethoven, Wilhelm Kempff, which has a total of 167 tracks. The duration of this track is 2:23 and was released on June 7, 2021. As of now, this track is currently not as popular as other songs out there. 6 Bagatelles, Op. 126: No. 3 Andante doesn't provide as much energy as other songs but, this track can still be danceable to some people.

6 Bagatelles, Op. 126: No. 3 Andante BPM

6 Bagatelles, Op. 126: No. 3 Andante has a BPM of 75. Since this track has a tempo of 75, the tempo markings of this song would be Adagio (slowly with great expression). Overall, we believe that this song has a slow tempo.

6 Bagatelles, Op. 126: No. 3 Andante Key

The key of 6 Bagatelles, Op. 126: No. 3 Andante is E♭ Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

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