"Grosse Fuge in B-Flat Major, Op. 133: Meno mosso e moderato (I)" by Ludwig van Beethoven, Melos Quartet was released on October 11, 2021. The duration of Grosse Fuge in B-Flat Major, Op. 133: Meno mosso e moderato (I) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Grosse Fuge in B-Flat Major, Op. 133: Meno mosso e moderato (I)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 178 out of 190 in Autumn Classical: Beethoven by Ludwig van Beethoven, Various Artists. In terms of popularity, Grosse Fuge in B-Flat Major, Op. 133: Meno mosso e moderato (I) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Grosse Fuge in B-Flat Major, Op. 133: Meno mosso e moderato (I) by Ludwig van Beethoven, Melos Quartet is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Fidelio, Op. 72, Act I: March | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | B Major | 0 | 1B | 85 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F♯ Minor | 0 | 11A | 93 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | F Major | 1 | 7B | 147 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM |
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