Eleni Karaindrou, Vangelis Christopoulos, Nikos Guinos, Vangelis Skouras, Aris Dimitriadis, Iraklis Vavatsikas, Spyros Kazianis, String Orchestra La Camerata's 'Eternity And A Day: 3. Eternity Theme' came out on December 1, 1998. The duration of Eternity And A Day: 3. Eternity Theme is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Eternity And A Day: 3. Eternity Theme's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 18 in Eternity And A Day by Eleni Karaindrou, Eleni Karaindrou Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Eternity And A Day: 3. Eternity Theme's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eternity And A Day: 3. Eternity Theme by Eleni Karaindrou, Vangelis Christopoulos, Nikos Guinos, Vangelis Skouras, Aris Dimitriadis, Iraklis Vavatsikas, Spyros Kazianis, String Orchestra La Camerata is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eternity And A Day: 4. Parting A | Eleni Karaindrou, Iraklis Vavatsikas, Sergiu Nastasa, Renato Ripo | F Major | 0 | 7B | 68 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Chamber Orchestra of Miemo | G Minor | 3 | 6A | 90 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
While Everything Burns | Fabrizio Paterlini | B Minor | 1 | 10A | 69 BPM | ||
Noir | Evgeny Grinko | E♭ Major | 3 | 5B | 64 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
The Godfather: V. Love Theme | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | D♭ Major | 1 | 3B | 88 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Kumru, Op.12/2 | Fazıl Say | A Minor | 1 | 8A | 133 BPM | ||
The Girl with the Sun in Her Eyes | Jay-Jay Johanson | C Minor | 1 | 5A | 110 BPM |
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