"Sonata For Violin And Continuo In G Minor, B. g5 - "Il trillo del diavolo": 3. Grave" by Giuseppe Tartini, David Garrett, Alexander Markovich was released on January 1, 2013. With Sonata For Violin And Continuo In G Minor, B. g5 - "Il trillo del diavolo": 3. Grave being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 14, so we believe that "Sonata For Violin And Continuo In G Minor, B. g5 - "Il trillo del diavolo": 3. Grave" is a single. In terms of popularity, Sonata For Violin And Continuo In G Minor, B. g5 - "Il trillo del diavolo": 3. Grave is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata For Violin And Continuo In G Minor, B. g5 - "Il trillo del diavolo": 3. Grave by Giuseppe Tartini, David Garrett, Alexander Markovich is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Holberg Suite, Op. 40: I. Praeludium (Allegro vivace) | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | G Major | 1 | 9B | 144 BPM | ||
Concerto per Violino, archi e basso continuo in la minore, A-Moll, op. 3/6: II. Largo | Baroque Festival Orchestra, Alberto Lizzio, Alexander Pervomaysky | D Minor | 0 | 7A | 70 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Alt-Wiener Tanzweisen: III. Schön Rosmarin (Version For Violin and Orchestra) | Fritz Kreisler, David Garrett, Franck van der Heijden, Orchestra the Prezent | C Major | 2 | 8B | 61 BPM | ||
Carmen, fantasie brillante, Op. 3, No. 3: Andante moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | B Minor | 2 | 10A | 122 BPM | ||
Melodie | Christoph Willibald Gluck, Sarah Chang, Charles Abramovic | D Minor | 1 | 7A | 92 BPM | ||
Hungarian Dance No. 7 | Johannes Brahms, Jascha Heifetz, Alfred Wallenstein, Los Angeles Philharmonic | A Major | 1 | 11B | 66 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Schumann Romance in A Major, Op.94 No.2: Robert Schumann | Mela Tenenbaum | A Major | 1 | 11B | 80 BPM | ||
Czardas | Vittorio Monti, Smerald Spahiu, Miquel Estelrich | D Major | 2 | 10B | 78 BPM |
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