"Geistliche Chormusik, Op. 11, SWV 369-397: No. 23. Selig sind die Toten, die in dem Herren sterben, SWV 391" by Heinrich Schütz, The Monteverdi Choir, John Eliot Gardiner was released on March 6, 2012. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 9 in Brahms: Ein deutsches Requiem by John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Geistliche Chormusik, Op. 11, SWV 369-397: No. 23. Selig sind die Toten, die in dem Herren sterben, SWV 391 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Geistliche Chormusik, Op. 11, SWV 369-397: No. 23. Selig sind die Toten, die in dem Herren sterben, SWV 391 by Heinrich Schütz, The Monteverdi Choir, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 17 in G Major, K. 453: III. Allegretto | Wolfgang Amadeus Mozart, Malcolm Bilson, English Baroque Soloists, John Eliot Gardiner | D Minor | 1 | 7A | 139 BPM | ||
St. John Passion, BWV 245: Part II: Aria: Erwage, wie sein blutgefarbter Rucken (Tenor) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 87 BPM | ||
L'Orfeo / Act III: "Possente spirto" | Claudio Monteverdi, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 74 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace | Ludwig van Beethoven, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 0 | 10B | 76 BPM | ||
Requiem, Op.48: 3. Sanctus (I) | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 0 | 5B | 95 BPM | ||
Requiem in D minor, K.626: 3. Sequentia: Confutatis | Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 0 | 8B | 75 BPM | ||
Gloria in Excelsis Deo: Domine Deus | George Frideric Handel, Gillian Keith, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 85 BPM | ||
Pergolesi: Confitebor: VII. Sicut erat | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 3 | 1B | 69 BPM | ||
Virga Jesse - Motet for 4 voice Chorus a capella | Anton Bruckner, Kammerchor Stuttgart | D Major | 1 | 10B | 83 BPM |
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