"3.Sequentia: Recordare: Requiem in D Minor, K 626" by Orchestra of the Vienna Concert House, The Vienna Singer Boys, Paul Redinowski was released on January 2, 1991. 3.Sequentia: Recordare: Requiem in D Minor, K 626 is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Requiem, Finished by Franz Xaver Suessmayr (Vollendet von Franz Xaver Suessmayr)". In this album, this song's track order is #6. 3.Sequentia: Recordare: Requiem in D Minor, K 626 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3.Sequentia: Recordare: Requiem in D Minor, K 626 by Orchestra of the Vienna Concert House, The Vienna Singer Boys, Paul Redinowski having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: Fortune plango vulnera | Carl Orff, Anne Margrethe Dahl, Blazej Grek, Jan Wolanski, Artur Rubinstein Philharmonic Choir, Arthur Rubinstein Philharmonic Orchestra, Ilya Stupel | A Minor | 4 | 8A | 124 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Concentus Musicus Wien | D♭ Major | 4 | 3B | 139 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM | ||
Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai | Camerata Romana, Eugen Duvier | E Major | 1 | 12B | 94 BPM | ||
Sinfonie "The Arrival of the Queen of Sheba" from Solomon | George Frideric Handel, Victor Alexeyev, Collegium Musicum | D Minor | 2 | 7A | 157 BPM | ||
Drei Walzer für Klavier in C-Sharp Minor, Op. 64, Nr. 2: Walzer Nr. 7 | Sylvia Capova | D♭ Minor | 1 | 12A | 68 BPM | ||
Gayaneh, Ballett: Säbeltanz | London Festival Orchestra, Alfred Scholz | C Major | 7 | 8B | 177 BPM | ||
Chopin: Prelude #15 In D Flat, Op. 28/15, "Raindrop" | London Festival Orchestra | A♭ Major | 0 | 4B | 81 BPM | ||
Mozart: Requiem in D Minor, K. 626: XIII. Agnus Dei | Nikolaus Harnoncourt, Vienna State Opera Chorus | F Major | 0 | 7B | 87 BPM |
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