"Seven Arabesques, H.201: V. Adagio" by Bohuslav Martinů, Raphael Wallfisch, John York was released on December 18, 2020. The duration of Seven Arabesques, H.201: V. Adagio is about 3 minutes long, at 3:27. Based on our data, "Seven Arabesques, H.201: V. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Seven Arabesques, H.201: V. Adagio only contains only one song in the album, we like to consider this song as a single. Seven Arabesques, H.201: V. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Arabesques, H.201: V. Adagio by Bohuslav Martinů, Raphael Wallfisch, John York having a BPM of 45 with a half-time of 22 BPM and a double-time of 90 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto, Op. 33, FS 61: IIa. Poco adagio | Carl Nielsen, Liya Petrova, Odense Symphony Orchestra, Kristiina Poska | D Minor | 0 | 7A | 87 BPM | ||
Háry János Suite (Version for Orchestra): V. Közjáték | Zoltán Kodály, Buffalo Philharmonic Orchestra, Joann Falletta | D Minor | 1 | 7A | 113 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Piano Concerto in F Minor, Op. 6: II. Larghetto | Karel Kovařovic, Prague Radio Symphony Orchestra, Robert Jindra, Marek Kozák | E♭ Major | 1 | 5B | 140 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Suite No.2 from "Namouna": No. 5, Presto | Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi | G Minor | 2 | 6A | 179 BPM | ||
Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 12 Le temps qui n'est plus: Andante | Charles-Valentin Alkan, Laurent Martin | B♭ Minor | 0 | 3A | 76 BPM |
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