"Orfeo ed Euridice, Wq. 30 / Act 2: Dance Of The Blessed Spirits" by Christoph Willibald Gluck, Adelaide Symphony Orchestra, Ron Spigelman was released on 1995. The duration of Orfeo ed Euridice, Wq. 30 / Act 2: Dance Of The Blessed Spirits is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Orfeo ed Euridice, Wq. 30 / Act 2: Dance Of The Blessed Spirits's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 18 in Dream Children by Ron Spigelman, Adelaide Symphony Orchestra. Orfeo ed Euridice, Wq. 30 / Act 2: Dance Of The Blessed Spirits is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orfeo ed Euridice, Wq. 30 / Act 2: Dance Of The Blessed Spirits by Christoph Willibald Gluck, Adelaide Symphony Orchestra, Ron Spigelman is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Andante spianato et Grande polonaise brillante, Op. 22: Andante spianato. Tranquillo | Frédéric Chopin, Martha Argerich | G Major | 0 | 9B | 127 BPM | ||
Alceste (Sung in French), Act III: Act III: A mes amis (Admetus, Alcestis, Chorus) | Christoph Willibald Gluck, Nicolai Gedda, Jessye Norman, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo | C Major | 2 | 8B | 65 BPM | ||
Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 | Johann Sebastian Bach, Murray Perahia | G Minor | 3 | 6A | 122 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Alice Sara Ott | D♭ Minor | 0 | 12A | 168 BPM |
Section: 0.7592871189117432
End: 0.7636163234710693